I believe that author Elizabeth Strout possesses two
distinct writing qualities that have contributed to the appeal of her novel, Olive
Kitteridge. Throughout the first third of the novel, Strout develops the
story of protagonist Olive Kitteridge as well as the characters whose lives are
somehow intertwined with hers in their small town of Crosby, Maine. Strout
evolves both these characters as well as their individual stories utilizing indirect
characterization and suspense. For example, when first introducing the
relationship of Olive’s husband, Henry Kitteridge, and his co-worker Denise
Thibodeau, Strout indirectly characterizes Olive as jealous through her harsh
tone towards Denise, saying, “’No one’s cute who can’t stand up straight’” (5).
This particular indirect characterization becomes significant in the novel
because it introduces the conflict of Olive’s jealousy, stemming from Henry’s
compassion for another woman. The indirect characterization not only develops
Olive more as a character, but also provides a sense of foreshadowing, implying
that the relationship between Henry and Denise will become more intimate. In
addition to this instance, Strout indirectly characterizes Kevin as extremely
sinister after including his wish to work with psychiatry patients “whose feet
had been beaten raw” (36). In doing so, the author successfully juxtaposes
Kevin’s dark feelings to Olive’s friendly advice. Strout effectively
illustrates the influence of which Olive has over people in her life through
her prevention of Kevin’s suicide. Furthermore, Strout’s use of suspense
appeals to my enjoyment as a reader. With a foreboding tone and sharp diction,
Strout successfully portrays the suspense of a tragedy, writing, “A Saturday at
home…’you poor, poor child’” (18). With short syntax, and a lack of emotions in
description, merely a summary of the incident, Strout creates suspense that
will ultimately be a turning point in the chapter, “Pharmacy”. The loss of
Denise’s husband results in sympathy from Henry, adding to the tension between
he and his wife at home. With so many characters, it’s extremely interesting to
see the way in which each of the extra characters’ own personal trials
ultimately affect Olive and her immediate family. I think these factors
contribute for a more interesting plot, holding my attention easily. Another
example of suspense in the novel transpires as Kevin’s plan to commit suicide.
Without even knowing about his suicide, something troubling is implied with
Strout’s illustration of him. The author displays Kevin as loitering,
explaining, “How much time went by, Kevin didn’t know” (31). Again, with short
syntax and lack of explanation of what Kevin planned to do, suspense became
introduced along with a curiosity of his intentions. The inclusion of Kevin’s
inner conflict in addition to the way in which Olive acted as a savior to him
(preventing him from taking his own life) added interest to the story as a
whole, as well as the interest of Olive Kitteridge and how she seems to play a
role in the lives of many eccentric people. With the use of indirect
characterization and suspense, Strout appeals to the reader’s interest. And in
all of these instances, she proves that compassion can be both harmful and
beneficial to those who believe otherwise.
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